Atlanta Film Society and Kodak Film Lab ATL present the 100 Feet of Film Project

• 100 Feet of Kodak 16mm film stock (your choice of one of the following, $55 value):
  Daylight (7203 or 7207) OR Tungsten (7213 or 7219)

• Processing and digitization (Spirit 2K or HD scans) at the Kodak Film Lab ($150 value)

• Opportunity to tour Kodak Lab, Free access to a Kodak film workshop (limit 1 member per team, $50 value)

• 4 tickets to the final showcase screening ($64 value)

  TOTAL VALUE: OVER $300

PLEASE NOTE

• Access to 16mm cameras is NOT included in registration.

• No Refunds once film stock has been picked up by filmmaker.

• Space in the Intro to Working with 16mm Class is limited and is first come first serve. Only one member from each team can attend.

• The time, location, and more information regarding the workshops are in the Order Confirmation Email.

• Once registered, you must fill out the Intake Form provided in the Confirmation email from Eventive. This is where you will choose your workshop date and your choice of film stock.

Save $50 if you register by October 18th with discount code: 100FEET50 // ATLFS Member discounts applied at checkout

Early Deadline: October 18th, 2024 11:59PM

Non-ATLFS Members: $249
ATLFS Members: $199

Regular Deadline: November 1st, 2024, 11:59PM

Non-ATLFS Members: $299
ATLFS Members: $239

• Monday, September 23, 2024: Registration Opens

• Saturday, October 5, 2024: Kodak Workshop #1

• Friday, October 18th, 2024: Early Bird Price Ends // Regular Pricing Begins

• Friday, November 1, 2024: Final Registration Deadline

• Saturday, November 2, 2024: Kodak Workshop #2

• Sunday, November 3-17, 2024: Film Stock pick-up window from Tara Theater.

• January 7, 2025: Raw footage due to be dropped off at Kodak Film Lab Atlanta

• January 14-21, 2025: ATLFS sends links to each team to download their Digitized 2K raw footage. Editing window begins.

• February 21, 2025: Deadline for teams to submit finished projects. ATLFS reviews to make sure all finished projects are only made from raw footage.

• Monday, March 3, 2025: Screening of All Eligible Films at Plaza Theatre

• April/May, 2025: Winning Films Screen at Atlanta Film Festival

Please read the following text carefully. Failure to comply with the rules & terms may result in disqualification from the program (including all elements listed as “Included in Registration”) without refund of application fees.

Film Stock & Final Cut

• Each team is allotted 100 feet of Kodak film. Each group may choose between four different film stocks, Daylight (7203 or 7207) or Tungsten (7213 or 7219). Each team will receive one 100 foot roll of film. 

• Please note: the allotment of film you are given will likely NOT allow for reshoots or multiple takes. Please take this into consideration when planning your film and shoot. There will be NO guarantee of replacement film should your 100 feet allotment be damaged in any way. 

• Your final film must consist ONLY of film stock shot during the program. No additional footage (on film or otherwise) will be accepted. We will be comparing your film stock to the final film!

• Film stock may be manipulated however you please (slowed down, sped up, repeated, etc.). However, film footage must be visible throughout the run time. For example, while you can create an animated sequence on top of your film footage, you cannot insert a solely animated sequence into the film.

• Access to a 16mm camera is NOT included in registration. Neither Kodak or ATLFS can guarantee providing access to one.

• The final film must be a minimum of 30 seconds long and a maximum of 5 minutes long. Title card and credits do not count towards the final run time, but the end credits cannot be longer than the actual film (trust us, no one wants to sit through that). 

DATES & TIMELINE

• Depending on the time of sign-up, teams will have at minimum one month to shoot their film. Failure to turn in footage to Kodak by the due date will result in disqualification (and may prevent you from having your film processed).

• Film stock will be processed and digitized by Kodak Film Lab Atlanta. Film will be processed via normal process only, any push or pull process will be .06 cents per foot extra per stop.

• ATLFS will receive the digital files from Kodak Film Lab Atlanta and distribute the digitized footage to each team. Teams will have approximately one month to edit this footage.

• Final film must be submitted to ATLFS no later than February 21, 2025 in order for it to be included in the final showcase and remain eligible for any awards.

• All eligible films will screen at the Plaza Theatre on March 3, 2025. Two prizes will be awarded following this screening, one Jury Award and one Audience Award. The prize-winning films will screen during the 2025 Atlanta Film Festival, alongside one or more of ATLFF's official selections.

TEAMS, RESPONSIBLITY, & OWNERSHIP

• There is no limit to the number of members that may be on each team.

• Teams do not need to be based in Georgia, but they are solely responsible for delivering their film to the Kodak Film Lab in Atlanta by the due date as well as any other local drop-off and/or pickup duties.

• One member of each team must fill out the Eventbrite application. It is the full responsibility of this person (“Applicant”) to agree to all the rules and terms (on behalf of their team). It is also the sole responsibility of the Applicant to determine the allocation of screening tickets, seats in the Kodak class, any prizes that may be won, etc.

• Once registered, the Applicant must fill out the Intake Form provided in the Confirmation email from Eventive. This is where you will choose your workshop date and your choice of film stock

• Space in the Intro to Working with 16mm Class is limited and is first come first serve. Only one member from each team can attend. The time, location, and more information regarding the workshops are provided in the Order Confirmation Email

• The final film solely belongs to the filmmakers, neither ATLFS nor Kodak Film Lab Atlanta claims any sort of ownership over the finished product. By participating, you do authorize ATLFS and Kodak to use your film (either in part or in its entirety) for promotional purposes.

• No Refunds once film stock has been picked up by filmmaker.

JURY AWARD: King Presley, by Giovanni Tortorici

AUDIENCE AWARD: The Gift, by Thomas Blanks and Jason Jezek

JURY AWARD: A Day Like Any Other, directed by Zachary Stephens

AUDIENCE AWARD: Spowiedz, directed by Blake Nelson

JURY AWARD: H'ILOL, directed by Julian Scalia

2019 AUDIENCE AWARD WINNER: Dated, directed by Crystal Jin Kim